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John Loughery, "The Still Lifes of G. Daniel Massad," introductory essay to G. Daniel Massad: Silent History (New York: Forum Gallery, 2001)

Leo G. Mazow, introductory essay to G. Daniel Massad: Recent Still Lifes, (New York: Tatistcheff & Company, Inc., 1998).

Ronny Cohen, "G. Daniel Massad," Artforum 33 (Summer 1995).

John Loughery, "Faded Glory," The Hudson Review 48 (Spring 1995).

Sally Allen McNall, introductory essay, G. Daniel Massad: Pastels: 1991-1994 (New York: Tatistcheff & Company, Inc., 1994).

Laura Ritter Chandler, "A Magnificent Obsession," The Valley/Lebanon Valley College Magazine (Winter 1993).

Edward J. Sozanski, "21 Works of Professor/Artist," Philadelphia Inquirer (13 December 1991)

Judith Stein, introductory essay, To Begin Inwardly: Recent Work, (Pennsylvania Academy of Fine Arts, Philadelphia, 1991).

Victoria Donahoe, "Drawings at Squibb Gallery Show Recent Developments in Realism," Philadelphia Inquirer (2 June 1989).

Vivien Raynor, "Precision for Precision’s Sake in a Show by Virtuoso Realists," New York Times (21 May 1989).

Realism Today: American Drawings from the Rita Rich Collection (New York: National Academy of Design, 1987).

American Realism: Twentieth-Century Drawings and Watercolors from the Glenn C. Janss Collection (San Francisco Museum of Modern Art; New York: Harry N. Abrams, Inc., 1986).

Thomas Bolt, "Daniel Massad," Arts Magazine 60 (April 1986).